The Greenpoint Film Festival is back with a whole new lineup of local and international films, ranging from experimental and avant-garde to environmentally focused documentaries, as well as animated films and shorts.
Opening night is Thursday, September 18, from 7:30 to 10 p.m. at the Wythe Hotel, 80 Wythe Ave., a day festival founder Rosa Valado said manages to creep up just a little quicker every year.
“It’s a very exciting composite of films we’re putting together,” Valado said in anticipation of the fourth annual film festival. “We have films from Australia, France and one from Japan, but a bulk of them are from here in the community.”
The Wythe Hotel will once again play host to the Greenpoint Film Festival, which this year highlights the best-in themes of renewal and reclamation and how to creatively address the needs of a neighborhood considered one of the most polluted in the country.
For four days next week, the festival will showcase films shortlisted by a panel of six judges who chose from over 200 entries to this year’s festival.
Films were submitted in four categories namely Narrative, Documentary, Experimental, and Animation.
This past weekend, the Greenpoint Film Festival returned to the neighborhood for it’s third consecutive year, pulling from many different facets of the film world.The highlights included selections from the world of documentary, music video, new for 2013, and the world of the Micro-Budget film.
Last Friday evening’s documentary portion, housed at 67 West Street, featured Max Kutner’s, “At The Corner of 3rd and 3rd”, a short-form piece showcasing Gowanus’ own Coignet Stone Company Building; a 19th century historic holdout in the ever-developing landscape of Brooklyn. This was followed by Lisa Molomot’s feature length, “The Hill” which focuses on a New Haven, CT neighborhood dealing with the looming displacement of it’s residents due to expansion of the city’s school system. Both films offered plenty of food for thought and I found that Kutner’s Gowanus piece struck closer to home as we here, in Greenpoint, are also dealing with the prospects of urban renewal and development and the impact that is having on our community.
After a successful opening night on Thursday, September 19, the third annual Greenpoint Film Festival wrapped on Sunday. Just as she has done in the previous two years, Festival Director Rosa Valado was able to tap into the creativity of our neighborhood as well as bring together a diverse group of films and filmmakers from around the world. In addition to screening a number of amazing films, the Greenpoint Film Festival played host to a number of spirited discussions and panels.
The festival had the prerequisite narrative and documentary categories in addition to highlighting micro-budget/DIY films, experimental films, and offered a music video screening and discussion. The closing day, Sunday, featured an extensive environmental film and discussion series in addition to animated and performance films.
In short, the Greenpoint Film Festival delivered a broad selection of films and discussions that provided something for all the varying interests in our nabe.
The three-year-old fest returns to North Brooklyn for four days’ worth of screenings at venues around the neighborhood.
Sep 17, 2013 By Peter Kirby
The annual New York Film Festival gets underway on September 27, but if you’re looking for something that’s more hyperlocal, consider checking out the Greenpoint Film Festival. The upstart event, now in its third year, returns to Brooklyn from September 19 through 23. Though it has maintained its traditional focus on the environment—this year’s schedule includes a group of shorts about waterways—the schedule also features a diverse roster of narrative films, documentaries, experimental shorts and animated flicks.
A few highlights of next week’s program: a documentary short about the iconic Coignet Stone Company Building in Gowanus (“At the Corner of 3rd and 3rd”); an animation about a nuclear-weapons engineer who finds love (“The Pyrotechnician’s Daughter”); and “The Sleepy Man,” a short featuring the great John Hawkes as well as a (very) sleepy man.
The Greenpoint Film Festival is back again for the third year in North Brooklyn, and this year there were more submissions than ever before.
According to founder Rosa Valado, the response this year brought in nearly double the submissions from last year, with 200 shorts, documentaries, experimental and animated films. The first year of the festival saw just 75 submissions.
“We got more than twice the films than we did last year,” Valado said.
Judges this year included Jeremy Kipp Walker, director and producer for the New York-based Journeyman Pictures; playwright, short film maker and Greenpoint film enthusiast Keith R. Higgons; Michael Sayers, owner of Photoplay Video and DVD; Brooklyn filmmaker Rachael Guma; and artist and filmmaker Tom Jarmusch.
The Greenpoint Film Festival is back for its third year, running from September 19th to the 22nd. The festival, which in the past featured a retrospective of David Lynch and a premiere of Jonas Mekas’ My Mars Bar Movie, will screen an exciting collection of films at venues including West Street Studios and The Gutter Bowling Alley on North 14th Street.
Since its first year in 2011, the festival has grown from a simple collection of films and video art pieces to a dynamic festival of documentaries, feature length narratives, shorts, animation and experimental pieces mixed with various curated programs.
Visual artist and founder of the festival, Rosa Valado, founded the festival as a platform to bring visual ideas and a variety of voices to the North Brooklyn community. A resident of more than 20 years, Rosa felt compelled to launch a film festival in a neighborhood as culturally vibrant as Greenpoint. “Here we are with one of the biggest art and film communities in New York” she said. “I thought it had to happen.”
A pyrotechnics addict in love, a moody French-Canadian out to save a Palestinian refugee, and a trailblazing dolphin. They’ll all hit the big screen at the third annual Greenpoint Film Festival next month.
Woven Spaces, a Greenpoint-based arts organization that has been working out of Brooklyn since 1996, will screen four days worth of animations, docs, narratives, and experimental films at venues around the neighborhood, including the Greenpoint Boathouse.
With a silent tribute that spoke volumes, the Greenpoint Film Festival (GFF) closed on Sunday, September 23rd, with a tip of its hat to Best Documentary winner “Deaf Jam.”
The film follows Aneta Brodski, a deaf teen, who when introduced to American Sign Language (ASL) poetry, enters the spoken word slam scene. In an interesting twist, Brodski, an Israeli immigrant, meets Tahani, a hearing Palestinian slam poet and the two collaborate on a performance duet, creating a new form of slam poetry that speaks to both the hearing and the deaf.
Eclecticism Highlights the 2nd Annual Greenpoint Film Festival
Sep 20, 2012 by Nick Powell
After a successful inaugural year, the Greenpoint Film Festival makes its return to the neighborhood this week, showcasing talented young filmmakers and actors and providing local cinephiles the opportunity to view interesting and dynamic films in their own backyard.
More than 25 films will be screened at the four-day event, which runs from Thursday, September 20th through Sunday, September 23rd at multiple locations throughout Greenpoint. The films were selected by eight judges from a field of over 100 submissions in categories such as Documentary, Narrative, and Experimental.
In what was an inspired choice of venue, day three of the Greenpoint Film Festival took place at the Newtown Creek Visitors Center with a selection of environmentally and community themed documentaries. Opening the program was the must-see “The Domino Effect” – a very timely chronicle of the ongoing saga of the former sugar plant along the Williamsburg waterfront which was part of the city’s planned rezoning efforts to turn the facility into luxury and “affordable” housing.
In the informal Q&A afterwards, co-producer Brian Paul said that the building has switched from its previous owner and is now back on the market. Greenpoint assemblyman Joe Lentol was also in attendance, and was able to shed light on some of the latest developments of the complex.
On Friday, the Millennium Film Workshop, an artists’ film collaborative based out of the East Village, guest-curated the Greenpoint Film Festival’s program with a host of bold and striking experimental short films under the banner of the “Millennium Nomadic Program.” I’m of the opinion that any attempts to describe experimental shorts kind of defeats the purpose of their existence: they exist outside the conventions that we come to expect from short-form content in order that they challenge the aesthetic experience of the viewer and yesterday’s works were no exception.
Last night was the opening night celebration of The Greenpoint Film Festival which took place at the Greenpoint Garage on Huron Street off of Manhattan Ave. The festival kicked off with a standing-room only screening of the documentary “Deaf Jam” about a deaf girl (Aneta Brodski) who gets involved with performing ASL poetry in her high school. It was a highly effective film in exploring and giving a voice to those who are stripped of their basic sense of hearing and their struggles to find their own voice through performing signed poetry.
Celebrating its second season, the upcoming Greenpoint Film Festival has a new and exciting list of experimental and independent films from contemporary filmmakers. The festival premiered last fall, featuring works from such American filmmakers as David Lynch and Jonas Mekas, among others.
Attendees in 2011, photo compliments of the Greenpoint Film Festival.
The Greenpoint Film Festival is gearing up for its second year, taking submissions from the public, in addition to curated programs, for the first time.
Categories for the festival, hosted by Brooklyn’s Woven Spaces arts organization, include experimental/avant-garde, narrative, documentary, and animation. The festival is also accepting features, shorts and some student works.
A jury of roughly 10 people will vote on films to select for the festival, according to Director Rosa Valado.
“Everything will be seen, everything will be looked at,” she said of the submissions.
Last night, just a couple dozen people braved the rain and cold to help kick off the first Greenpoint Film Festival with the premiere of Jonas Mekas’s new documentary, “My Mars Bar Movie.” The film, which Mr. Mekas, 88, said he had recorded during trips to Mars Bar over the course of fifteen years at Anthology Film Archives across the street, begins with a close-up of the archivist and filmmaker’s first name carved in the bar, followed by admiring shots of an insect-ridden fly strip and then the first of countless clinking tequila glasses.
Yesterday evening marked the beginning of what appears to be a promising new presence on the New York film scene: the opening night of the first annual Greenpoint Film Festival, launched by Brooklyn based arts organization Woven Spaces.
Films screened for the rest of the weekend will be a promising melange of documentaries, features and shorts with experimental tendencies, as well a good helping of repertory programming. The festival takes places at the Broadway Stages studio this weekend at 222 West St, which offers views of Manhattan and the East River in a loft-style screening space. The venue also happens to be beneath one of Brooklyn’s first rooftop farms, Eagle Street Rooftop Farm (and you know how we feel about Rooftops). Festival programmer and photographer Scott Nyerges spent 2010 documenting the farm’s growing season, so it comes as little surprise that they have chosen regeneration as the program’s organizing theme.
On October 27th, the Greenpoint Film Festival will make its debut. Inside Broadway Stages, movies from avant-garde, indie filmmakers will be screened, as will the work of cult favorite David Lynch. Throughout the four-day event, a wide variety of films with diverse themes covering environmental issues, local happenings, and social commentary are going to be shown.
Legendary filmmaker and Gotham flaneur Jonas Mekas is set to kick off the first-ever Greenpoint Film Festival with the premiere of a full-length documentary about boozing it up at the infamous Mars Bar in Manhattan.
The 88-year-old, Lithuanian-born and Brooklyn-based filmmaker nicknamed “the Godfather of avant-garde cinema,” will screen five of his films at the Greenpoint Film Festival — Oct. 27–30 at Broadway Stages in Greenpoint — including his brand new “My Mars Bar Movie,” an homage — and love letter — to the iconic Manhattan dive that recently closed.
Well-known for his contribution to the avant-garde film world, Jonas Mekas has been called the godfather of it all, but the humble 89-year-old doesn’t want that label.
“I don’t like it because there is a big misunderstanding,” he said as he spoke to this paper in his Clinton Hill studio in August before Hurricane Irene was set to hit. “It all began long before I was born.”
Did you know that the Little Rascals was set in Greenpoint? It’s one of the screenings for the upcoming Greenpoint Film Festival, the first of what will become an annual affair organized by Woven Spaces, a local nonprofit public arts group. Taking place October 27 – 30 at Broadway Stages in Greenpoint, the line-up includes favorites and lesser-known experimental, avant-garde shorts and feature-length films.