Straight Coffin in a Crooked Grave

Straight Coffin in a Crooked Grave

Jared Martin & Michael david,  2:01 min 
Documentary (Trailer)
Saturday, May 5th, 6pm

Greenpoint Film Festival 2014 Buy Tickets

The multimedia artists Lonnie Holley and the late Thornton Dial were both born into poverty in the state of Alabama. The chaos of living hand to mouth, not to mention through the Civil Rights Era, is indelibly present in their paintings, sculptures and assemblages, most of which incorporate scavenged organic and manmade materials. Filmmakers Jared Martin and Michael David explore their bodies of work, which delve into the Deep South’s rich African-American heritages, histories and identities.

Art Panel

Saturday, May 5th, 6pm

Greenpoint Film Festival 2014 Buy Tickets

Michael David is an artist, the founder of the Life on Mars Gallery and the owner, curator and artistic director of David&Schweitzer Contemporary in Brooklyn. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum and the Jewish Museum in New York, and the Museum of Contemporary Art in Los Angeles, among others. He is the recipient of a Guggenheim Fellowship and awards from the National Endowment for the Arts, The Edward Albee Foundation, and The American Academy of Arts and Letters. The exhibitions he has curated have been covered by The Los Angeles Times, Brooklyn Magazine, The Brooklyn Rail, and The Huffington Post.

Terence Donellan is a novelist, playwright and two-time New York Emmy-nominated documentary filmmaker. As a senior producer at NET TV in Brooklyn, he has produced, directed, and/or written more than 90 half-hour episodes for five different television shows. Through his production company, Blasket McManus Productions, Donnellan has produced, directed and written commercials, corporate videos, and narrative and documentary short subjects and feature films. For Artists in NYC, he has recently been selected for a 2018 Fiscal Sponsorship from the New York Foundation for the Arts.

Geoffrey Dorfman is a painter, art critic, modern art historian, curator, producer and trustee to the Milton Resnick and Pat Passlof Foundation. He has taught at the College of Staten Island/CUNY for over four decades, as well as at the Parson’s School of Design and Dartmouth College. He has received critical acclaim for his paintings, shows, and his book Out of the Picture: Milton Resnick and the New York School, and in 2006 he was awarded the Henry Ward Ranger Prize by the National Academy of Design. He is currently represented by the Ober Gallery in Kent, Connecticut.

David Jacobsen Loncle is a New York based artist and writer.  He has taught Studio Art and Civics for the City University of New York for the past 8 years.

David was a student and friend of Pat Passlof.  He is in the final stages of publishing a compendium of her writing representing the course of her 60 year career.  The book, entitled The Inspired, will include interviews David conducted with several of Passlof’s professional acquaintances including Jake Berthot, Cynthia Navarretta, David Reed and Mark DiSuvero.  With the Milton Resnick and Pat Passlof Foundation he recently published a selection of these writings entitled To Whom the Shoe Fits.

Upcoming exhibition of David’s work includes: Art of the 5: Revisiting Staten Island highlighting the borough’s premier artist this July.  Hosted by the Mayor’s Office it will be held at the Newhouse Gallery for Contemporary Art. (Smithsonian Affiliate)  David currently holds a studio residency with ChaShaMa.

Artists in NYC

Artists in NYC

Terence Donnellan,  7:10 min
Documentary
Saturday, May 5th, 6pm

Greenpoint Film Festival 2014 Buy Tickets

The modern world has had a hard time shaking their stereotypical myths of the tortured genius and the starving artist and to maintain a more substantial and nuanced understanding of how art comes to be recognized and celebrated. What social and economic constructs dictate trends like artists becoming posthumously famous and further contribute to art’s reflection of our times? To answer this question, filmmaker Terence Donnellan looks into the museum and gallery scenes of Manhattan and Brooklyn and interviews artists, gallerists and curators on their work and what functions it fulfills in both their own lives and in New York City’s ever-growing urban landscape of commerce and consumerism.

Blissville…An Investigation

Blissvilee...an Investigation

Hank Linhart, 2018, 59m 52 sec
Documentary Feature
Thursday, May 3rd, 7:00 pm

Greenpoint Film Festival 2014 Buy Tickets

The video, “Blissville …An Investigation”, is about a remote corner of Queens, NY within the shadows of midtown Manhattan and yet isolated from the rest of the city.
Embracing low budget Hi 8 video to conduct informal street interviews and investigate the origin of the name of Blissville, and the character(s) of the town, the video takes the experimental form of a docu/poem. Not in the traditional sense with words but as a lyrical visual odyssey.
 
The video is not so much a mourning of things past, nor a nostalgia, although both these elements are present. It is more about the quest for, and resilience of community.

Elaine de Kooning Paints a Portrait

Elaine de Kooning

Betty Jean Thiebaud,  17:41 min
Digitized from original 1976 16mm color film
Documentary
Saturday, May 5th, 6pm

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“I almost feel my portraits— portraits I’ve made—are now invading my privacy. When I have them around—to have all these people looking at me—it’s oppressive, and I always find portraits oppressive. But I find them, well, fascinating.”

Elaine de Kooning was an accomplished landscape and portrait expressionist artist  active in the Abstract Expressionist movement of the early twentieth century. She was a member of the Eighth Street Club (the Club) in New York City.] The Club functioned as a space to discuss ideas. Among this group of artists were Willem de Kooning, Jimmy Rosati, Giorgio Spaventi, Milton Resnick, Pat Passlof, Earl Kerkam, Ludwig Sander, Angelo Ippolito, Franz Kline, Clyfford Still, and Hans Hofmann. A membership position for a woman was rare at this time.

In filmmaker Betty Jean Thiebaud’s own portrait of the artist, the film she de Kooning discusses her work as she paints a new portrait of her friend and fellow artist, Aristodimis Kaldis. Over de Kooning’s musings on Rembrandt, conceptual art, and experience vs. ideas in the artistic process, Thiebaud observes her in her studio, working briskly but with care and method, and in constant dialogue with her cohorts.

Instructions on Parting

Instructions on Parting

Amy Jenkins, 2018, 1hr 35min
Documentary Feature
Saturday May 5th, 2pm

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“Instructions on Parting” weaves breathtaking artistic footage with cinema verite to tell an elegiac story about transformation, grief, and the essential nature of the collective human journey. Told in an unconventional visual style, the story evolves from the viewpoint of Director Amy Jenkins, whose first child is born while she negotiates the cancer diagnosis and slide toward death of three of her closest family members. By chronicling with her camera to interrogate loss, the filmmaker leads us to a bold and daring acceptance of our inevitable end.

Past States (Stany Przeszłe)

Past States

Olga Blumczynska, 2018, 29m 14sec
Documentary short
Thursday, May 3rd, 7:00pm

Greenpoint Film Festival 2014 Buy Tickets

Polish emigrant – Martynka – living for 15 years in Manhattan, divorces her American husband and decides to look for her new home in Greenpoint. This is a district that reminds her of folksy Polish people and the type of emigrants she does not want to identify with. However now she realizes that the longing for the family draws her just here. Moreover, the district is changing into an intercultural melting pot and this is the last moment to taste life among her fellow Polish people. Martynka makes contact with people who came to New York 20, 30 years ago, completely unprepared for the reality overseas. Her neighbor, Henryk, becomes her friend and helper in difficult times. Helena – an elderly lady living in a senior home, inspires her to create an artistic project. The protagonist listens to their stories of determination, loneliness, fear, but also stories of finding their place on foreign ground. At the same time she deals with her past, hoping it helps her overcome the feeling of loneliness and alienation in New York. In the film, modernity and the past are intertwined by means of up-to-date and archival footage.

Pat Passlof: …unexpected conversation…

Pat Passlof

Bill Page, 2018, 29min
Documentary
Saturday, May 5th, 6pm

Greenpoint Film Festival 2014 Buy Tickets

“Pat Pasloff is a strong artist within a strong tradition…She has transcended some of the angst of Abstract Expressionism, without descending into something that is bland or formulaic or potentially conceptual” – David Cohen

Pat Pasloff (1928 – 2011) was an ambitious abstract expressionist painter who produced large scale, fresh, and vital bodies of work. Studying under pioneering artist William de Kooning, she was able to find her own path and grow from his influence. Her patterns and grids come alive with the materiality and physicality of her paintings. Watch as Pasloff describes her experiences painting, gaining an education in art, and as her visual language of emotion comes alive.

The United States of Detroit

The United States of Detroit

Tylor Norwood, 2016, 1hr 22min
Documentary feature
Friday, May 4th, 7pm

Greenpoint Film Festival 2014 Buy Tickets

This is what a comeback looks like.
 
“The United States of Detroit” is a stylish and moving documentary about the resilience and spirit of Detroit’s neighborhoods, telling the story of the city’s past, its present resurgence, and future potential.

“A lot of the films I’ve done in the past focus on communities solving problems… a big theme of my work is exploring ways that communities come together. I had this strong image of being young and hearing that song, ‘This land is your land, this land is my land,’- thinking about inter-connectivity between communities facing similar issues. This film doesn’t scream with a rigid motif, but leaves the viewer feeling positive about community and individuals are able to accomplish. Things happening in Detroit are applicable to over 300 postindustrial cities- this film serves as a way to get people brainstorming to solve world problems, starting with themselves.” —Tylor Norwood, Director

Ziemia

Ziemia

Martynka Wawrzyniak, 2018, 5m
Documentary short
Thursday, May 3rd, 7:00pm

Greenpoint Film Festival 2014 Buy Tickets

Ziemia (“Earth” in Polish) is a public art project created by artist Martynka Wawrzyniak in collaboration with the Greenpoint, community. The project takes the form of a ceramic orb atop a meadow in McGolrick Park, which will be unveiled in June 2018. The orb is glazed with a mixture of clay excavated in Greenpoint and soils from around the world contributed by residents. The artist spent two years reaching out to fellow Greenpointers to invite them to gather soil from locations symbolically representative of their identity. This film is an abbreviated version of a film which documents Wawrzyniak’s journey to Poland in August 2017 to collect soil on behalf of Polish seniors and undocumented immigrants who were unable to personally collect the soil themselves.

This film and the fabrication of the ceramic orb were made possible by the generous support of The Polish Cultural Institute in New York.