From class and race to women’s history and gentrification, filmmaker Lynne Sachs and playwright Lizzie Olesker craft an intimate sociohistorical portrait of an urban laundromat using the people who worked there for decades.

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From class and race to women’s history and gentrification, filmmaker Lynne Sachs and playwright Lizzie Olesker craft an intimate sociohistorical portrait of an urban laundromat using the people who worked there for decades.
A woman’s two inner selves recognize each other for the first time.
A shape evolves with an accompanying sound score, birthing a synesthetic collaboration. A cross-like figure grows, moving in captivating harmony with the sound, until it is unclear where the figure starts, where it ends, and where it begins again.
A look inside the studio, routines and life of Brooklyn-based artist Rodney Dickson as he works “along the edge” of art and seeks to push the boundaries of how it can and should be experienced.
In 2017, the Hebrew Home for the Aged in Riverdale, NY, turned 100. Over the course of that year, portraitist Brenda Zlamany painted 100 of its elderly residents in an effort to engage them as participants in her artistic process.
A man is consumed by a negative relationship with his body, manifested as a slick, toxic companion who lingers on his every move and threatens to sabotage every aspect of his life.